Mcreesh’s re-recording of the Gabrielli Consort and Players first CD (A Venetian Coronation 1595) builds on the successes of the original. The recording might best be described as an attempt, both on a scholarly and a musical level, sonically to recreate the mass of the Doge’s coronation in 1595. As such the re-recording needs no justification as it is the product of thirty years more research and development towards ...
